Undersong

The City Will Help You Live In It

Managers Makers

Half ‘n’ Half Machine

Eyeballs Looking For Glasses

Main Titles

Last Stand

Tyrant

My Drive Thru

“Everybody is an artist, everybody can be creative. That is the spirit that we wanted to capture in our spot. It should look easy, effortless, like it was made in somebody’s closet. Pure right brain stuff. It should inspire you to grab your camera and shoot your own paper world.”

-Director Marie Hyon

Chromatic

Brawl Stars: Brawloween

League of Legends – Campaign

When Riot approached Sun Creature on an action-packed series of films for League of Legends, the team knew they needed to create something that felt authentic to the close-knit gamer fan base – a group that never shies from voicing an opinion.

Knowing that each script called for dynamic action, they brought on director Maremi Watanabe for her unique voice within this narrative style. They then surrounded her with a team of specialized artists who knew the genre inside and out from a character designer who played LOL on his off hours (which were woefully few during the intense production) to a Japanese studio who helped choreograph the cinematography.

The end result: non-stop action, swerving camera moves, a few cheeky winks and some very gorgeous films. 

DEVELOPMENT, CONCEPT, DESIGN

Greatest Show

“We can’t believe this is Kevin’s 4th year celebrating the holidays with us! Every year these spots seem to get bigger and bigger but certainly we seem to have blown the roof off this one. Regardless of the challenges, these spots are a total blast to make. We get to design, build, and film these incredible sets. Then we get to take the footage home and bring Kevin and his family into it all.

I can’t overstate how much we like this exact pipeline of comping CG animation into cinematography. Being able to work with the real world lighting in CG just makes everything look so dang good. The camera moves were particularly tricky this year around. In fact the camera kept smashing into the food and at one point there was potatoes and gravy dripping off the lens. The AC was none too happy.  Another tricky bit on this one was the way the main display of food came down into the set. We basically had 200 lbs of a double decker six foot wide platter of food descend into the shot on ropes. Again, the gravy really didn’t want to cooperate. I just can’t stop imagining what Kevin’s going to get up to next year!” 

Todd Mueller, Director 

The Heroic Quest of Prince Ivandoe

“Kevin the Carrot” Franchise

Now 3 holiday seasons in the running, Todd & Kylie helped turn Christmas’s arguably most unremarkable vegetable – the carrot – into a beloved ambassador for Aldi Supermarkets across the UK. First introduced in 2017, audiences watched as the plucky little carrot met Santa and over the years, found true love, had a family and, most recently, defied an evil parsinip. 

Made into an adorable plushy, Kevin rose to rock star status last holiday season, inciting Black Friday levels of chaos as holiday shoppers fought to get their hands on one. How’s that for naughty and nice? 

“We fell in love with this project from the very moment we saw it. Come on, a carrot who wants to meet Santa… What’s not to like? We knew that this was a spot for a grocery store so we weren’t going to be able just to stay focused on the carrot. We had to show the big Christmas spread and have as much appetizing food photography as possible. Ideally you want every shot to do one thing perfectly, we didn’t have that luxury. In nearly every shot we need to tell the story and showcase the food. That being said we couldn’t be more thrilled with the way it came out. Our goal with everything we direct is get the viewers to feel something. Not exactly an easy thing to do inside sixty seconds. In any case, hopefully people will come away feeling some Christmas spirit.”

– Directors Kylie Matulick & Todd Mueller

PRESS

Ad Age: A Carrot Goes On An Epic Journey Across The Dinner Table In Aldi’s U.K. Festive Spot

Ad Age: Kevin The Carrot Falls In Love In Aldi’s Christmas Sqeuel

Ad Age: Aldi Reveals Kevin The Carrot’s Eventual Fate In Final Installment Of Holiday Campaign

Campaign: Aldi Makes A Carrot The StarOf Its Christmas Spot

Campaign: Aldi’s Christmas Cliffhanger Sees Kevin The Carrot Return… And Fall In Love

PR Week: Aldi Wins Christmas On Instagram

Mirror: Aldi Christmas Advert Revealed As Kevin The Carrot Goes On A Festive Adventure

Daily Mail: Aldi’s Kevin the Carrot Ss Named This Year’s Most Popular Television Advert With Viewers

The Sun: Aldi’s Kevin The Carrot Christmas Toys ‘Sell Aut’ Within Hours – And End Up On eBay For £1,000

Unicorn

Tipsy

We created this piece as the official trailer for the 2011 Sonoma International Film Festival. Meet Tipsy, a puppeteered wine bottle character enhanced with photo real animation that sings about the film festival in Sonoma. He loves film. He loves good food. And he loves to drink – a little too much.

The Utensil Suspects

Start the Day with Fashion

The Show ’17

Titles

Rugby World Cup

Golden Wolf teamed up with ITV Creative to develop this energetic live action/animation promo for ITV’s coverage of their Rugby World Cup. Using the aesthetics of anime and 16bit gaming, Golden Wolf creates beautiful imagery that blurs the line between the physical and animated. 

Opening Titles

Sunrise Gold

Welcome to Retropolis

Wire Cutters

TopBrazil

“Just before the last weekend of summer, I read an interview with Fischerspooner, where Casey Spooner talked about creating “aggressively homosexual” pop music for his new album SIR. Pro-Queer anthems for contemporary homosexual culture and when talking about reinventing his image he said: “I can be older, I can be gay, I can be a man and sexual, which is something you don’t see”. It felt revolutionary, provocative, and honest, I listened on loop to their new single Have Fun Tonight and knew this album would change my life. The article also said Casey had spent the summer hiding out on Fire Island, I took a personal day, I jumped on a Ferry and I spent the weekend tracking him down, and on the dancefloor of an underwear party in the Grove I told him I loved him. The video for Have Fun Tonight has a raw and authentic feeling in its portrayal of gay culture and I wanted to stay true to that, referencing Pink Narcissus, Un Chant d’Amour, and Boys In The Sand, to examine and celebrate exclusively gay spaces. Homosexuality, for some, is so shrouded in shame and self-loathing that true expression of their sexuality can only happen in these hidden spaces, and for others; the lure of an encounter, desire, their intrigue, whatever it might be, draws everyone to the same places. Where men meet. An honest, unapologetic, and celebratory representation of this felt right for TopBrazil, a song about sexual compulsion, hookups, and power bottoms. It shouldn’t feel safe, or camp. For Casey to use his body as the centerpiece for the video, inviting the mainstream to revel in their lust for him, felt radical and inspiring. In another interview, Casey said: “I’m going to be as flamboyant and as visible as I can be. I’m not holding back. I have a mandate to be an amazing faggot right now. I’m gonna make sure that the kids stuck in the middle of nowhere have a beacon of hope. I was raised surrounded by racists, misogynists, Islamophobes. homophobes, etc. etc. etc… Shameless visibility is my form of action”, I made this my brief, and hope to have delivered the vehicle for this message. My therapist has repeatedly asked me to write a letter to my adolescent self, this is it. A huge thank you to everyone who helped turn the impossibles of this dream into a reality.”

-Tom CJ Brown, Director

The Depths of the Barely Visible

“This story was written in response to the feeling of dread that has consumed us at times over the past few years, while watching the news, scrolling through Twitter feeds, or talking about another mass shooting, natural disaster, or disgusting revelation about elected so-called-leaders in our country.”

IGOR + VALENTINE
Director

This story hints at an ancient mythology that supersedes the finite time we’re currently living in, and is, in some small way, meant to be an antidote to that feeling of dread. It is meant to offer a brief respite from the noise and violence of our relentless news cycles.

IGOR + VALENTINE

Game Trailer

The Amazing World of Gumball

Chameleon

Creating a Chameleon: Take a guided tour of the technical innovation behind our latest work for JBL with this behind-the-scenes video.

Join us behind the scenes of our latest work for JBL, highlighting the color-changing nature of their Pulse bluetooth speaker.

Technical achievements really made way for artistic style on this project. The chameleon was a masterpiece of Jonah Freidman (R&D, Psyop), combining a particle system with a curve based grooming system. We also developed a Nuke pipeline that allowed changes to the chameleon’s texture to be real-time previewed in Nuke, iterated, and then run back through the traditional CG pipeline to get all the photo-real light interaction and skin imperfections. Everyone involved did a stellar job.

“On this one we really leveraged our technology to create something new. Using Fabric Engine, we developed a set of tools that allowed artists to create a whole chameleon worth of scales. They would create scales by generating a particle flow over the surface. We took this artistically-generated particle distribution and built a computational geometry system on top of it. This system could generate each scale as a unique interlocking 3D shape for a hyper-realistic result.

The other really cool technique was using Nuke to remap the textures quickly without a full render in Arnold.  This was awesome as we were able to quickly iterate until the camouflage gags worked. By creating a whole new set of tools we were able to execute a cinematic and deeply human hero who falls on his face a few times before getting to the girl of all our dreams. The result is a relatable, lovable short film about a classic anti-hero.”

-Eben Mears, Director

Delta

Pipeline

Tested to Perfection